With this question, Karwitha Kirimi introduces a soundscape that was developed as part of the TALKING OBJECTS residency programme. Grief is at the centre of Kirimi's artistic practice and is linked to themes such as colonial and patriarchal violence, the destruction of nature and indigenous cultural production. The image of the ocean - drowning in grief - forms a recurring narrative in their work. For The Cosmologies of Objects, Kirimi creates a portal of mourning. The installation invites visitors to enjoy snacks and listen to the sound of the sea as well as Kirimi's poems. The smell of rosemary and the images of moving bodies of water generate an immersive realm. Kirimi creates an experience that appeals to all the senses and in this way emphasises mourning as a physical sensation. This can be understood as both an aesthetic approach and a socio-critical reaction. After all, the demand for spaces for mourning is also of socio-political relevance. Krimi's work thus raises critical questions about the conditions of mourning: What is mourned? How is mourning done? Who is given space to mourn?